Catholic Bible
Mosaico decorativo

Êxodo, 39

1. pan to crusion o kateirgasqh eiV ta erga kata pasan thn ergasian twn agiwn egeneto crusiou tou thV aparchV ennea kai eikosi talanta kai eptakosioi eikosi sikloi kata ton siklon ton agion

1. de hyacintho vero et purpura vermiculo ac bysso fecit vestes quibus indueretur Aaron quando ministrabat in sanctis sicut præcepit Dominus Mosi

2. kai arguriou afairema para twn epeskemmenwn andrwn thV sunagwghV ekaton talanta kai cilioi eptakosioi ebdomhkonta pente sikloi

2. fecit igitur superumerale de auro hyacintho et purpura coccoque bis tincto et bysso retorta

3. dracmh mia th kefalh to hmisu tou siklou kata ton siklon ton agion paV o paraporeuomenoV thn episkeyin apo eikosaetouV kai epanw eiV taV exhkonta muriadaV kai triscilioi pentakosioi kai penthkonta

3. opere polymitario inciditque bratteas aureas et extenuavit in fila ut possint torqueri cum priorum colorum subtemine

4. kai egenhqh ta ekaton talanta tou arguriou eiV thn cwneusin twn ekaton kefalidwn thV skhnhV kai eiV taV kefalidaV tou katapetasmatoV ekaton kefalideV eiV ta ekaton talanta talanton th kefalidi

4. duasque oras sibi invicem copulatas in utroque latere summitatum

5. kai touV ciliouV eptakosiouV ebdomhkonta pente siklouV epoihsan eiV taV agkulaV toiV stuloiV kai katecruswsen taV kefalidaV autwn kai katekosmhsen autouV

5. et balteum ex hisdem coloribus sicut præceperat Dominus Mosi

6. kai o calkoV tou afairematoV ebdomhkonta talanta kai cilioi pentakosioi sikloi

6. paravit et duos lapides onychinos adstrictos et inclusos auro et sculptos arte gemmaria nominibus filiorum Israël

7. kai epoihsen ex autou taV baseiV thV quraV thV skhnhV tou marturiou

7. posuitque eos in lateribus superumeralis in monumentum filiorum Israël sicut præceperat Dominus Mosi

8. kai taV baseiV thV aulhV kuklw kai taV baseiV thV pulhV thV aulhV kai touV passalouV thV skhnhV kai touV passalouV thV aulhV kuklw

8. fecit et rationale opere polymito juxta opus superumeralis ex auro hyacintho purpura coccoque bis tincto et bysso retorta

9. kai to paraqema to calkoun tou qusiasthriou kai panta ta skeuh tou qusiasthriou kai panta ta ergaleia thV skhnhV tou marturiou

9. quadrangulum duplex mensuræ palmi

10. kai epoihsan oi uioi israhl kaqa sunetaxen kurioV tw mwush outwV epoihsan

10. et posuit in eo gemmarum ordines quattuor in primo versu erat sardius topazius zmaragdus

11. to de loipon crusion tou afairematoV epoihsan skeuh eiV to leitourgein en autoiV enanti kuriou

11. in secundo carbunculus sapphyrus jaspis

12. kai thn kataleifqeisan uakinqon kai porfuran kai to kokkinon epoihsan stolaV leitourgikaV aarwn wste leitourgein en autaiV en tw agiw

12. in tertio ligyrius achates amethistus

13. kai hnegkan taV stolaV proV mwushn kai thn skhnhn kai ta skeuh authV kai taV baseiV kai touV moclouV authV kai touV stulouV

13. in quarto chrysolitus onychinus berillus circumdati et inclusi auro per ordines suos

14. kai thn kibwton thV diaqhkhV kai touV diwsthraV authV

14. ipsique lapides duodecim sculpti erant nominibus duodecim tribuum Israël singuli per nomina singulorum

15. kai to qusiasthrion kai panta ta skeuh autou kai to elaion thV crisewV kai to qumiama thV sunqesewV

15. fecerunt in rationali et catenulas sibi invicem coherentes de auro purissimo

16. kai thn lucnian thn kaqaran kai touV lucnouV authV lucnouV thV kausewV kai to elaion tou fwtoV

16. et duos uncinos totidemque anulos aureos porro anulos posuerunt in utroque latere rationalis

17. kai thn trapezan thV proqesewV kai panta ta authV skeuh kai touV artouV touV prokeimenouV

17. e quibus penderent duæ catenæ aureæ quas inseruerunt uncinis qui in superumeralis angulis eminebant

18. kai taV stolaV tou agiou ai eisin aarwn kai taV stolaV twn uiwn autou eiV thn ierateian

18. hæc et ante et retro ita conveniebant sibi ut superumerale et rationale mutuo necterentur

19. kai ta istia thV aulhV kai touV stulouV kai to katapetasma thV quraV thV skhnhV kai thV pulhV thV aulhV kai panta ta skeuh thV skhnhV kai panta ta ergaleia authV

19. stricta ad balteum et anulis fortius copulata quos jungebat vitta hyacinthina ne laxe fluerent et a se invicem moverentur sicut præcepit Dominus Mosi

20. kai taV difqeraV dermata kriwn hruqrodanwmena kai ta kalummata dermata uakinqina kai twn loipwn ta epikalummata

20. fecerunt quoque tunicam superumeralis totam hyacinthinam

21. kai touV passalouV kai panta ta ergaleia ta eiV ta erga thV skhnhV tou marturiou

21. et capitium in superiori parte contra medium oramque per gyrum capitii textilem

22. osa sunetaxen kurioV tw mwush outwV epoihsan oi uioi israhl pasan thn aposkeuhn

22. deorsum autem ad pedes mala punica ex hyacintho purpura vermiculo ac bysso retorta

23. kai eiden mwushV panta ta erga kai hsan pepoihkoteV auta on tropon sunetaxen kurioV tw mwush outwV epoihsan auta kai euloghsen autouV mwushV

23. et tintinabula de auro mundissimo quæ posuerunt inter mala granata in extrema parte tunicæ per gyrum

24.

24. tintinabulum aureum et malum punicum quibus ornatus incedebat pontifex quando ministerio fungebatur sicut præcepit Dominus Mosi

25.

25. fecerunt et tunicas byssinas opere textili Aaron et filiis ejus

26.

26. et mitras cum coronulis suis ex bysso

27.

27. feminalia quoque linea byssina

28.

28. cingulum vero de bysso retorta hyacintho purpura ac vermiculo distinctum arte plumaria sicut præcepit Dominus Mosi

29.

29. fecerunt et lamminam sacræ venerationis de auro purissimo scripseruntque in ea opere gemmario Sanctum Domini

30.

30. et strinxerunt eam cum mitra vitta hyacinthina sicut præcepit Dominus Mosi

31.

31. perfectum est igitur omne opus tabernaculi et tecti testimonii feceruntque filii Israël cuncta quæ præceperat Dominus Mosi

32.

32. et obtulerunt tabernaculum et tectum et universam supellectilem anulos tabulas vectes columnas ac bases

33.

33. opertorium de pellibus arietum rubricatis et aliud operimentum de janthinis pellibus

34.

34. velum arcam vectes propitiatorium

35.

35. mensam cum vasis et propositionis panibus

36.

36. candelabrum lucernas et utensilia eorum cum oleo

37.

37. altare aureum et unguentum thymiama ex aromatibus

38.

38. et tentorium in introitu tabernaculi

39.

39. altare æneum retiaculum vectes et vasa ejus omnia labrum cum basi sua tentoria atrii et columnas cum basibus suis

40.

40. tentorium in introitu atrii funiculosque illius et paxillos nihil ex vasis defuit quæ in ministerium tabernaculi et in tectum fœderis jussa sunt fieri

41.

41. vestes quoque quibus sacerdotes utuntur in sanctuario Aaron scilicet et filii ejus

42.

42. obtulerunt filii Israël sicut præceperat Dominus

43.

43. quæ postquam Moses cuncta vidit expleta benedixit eis



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Footnotes:

39:1-5 - The priestly garments are made according to God's command, including the ephod of gold, blue, purple, and scarlet. These garments symbolize the holiness and authority of the priesthood before God (see also Leviticus 8:7-9 and Hebrews 5:1-4).

39:6-7 - Onyx stones are placed on the shoulders of the ephod, representing the twelve tribes of Israel. This symbolizes the high priest carrying the people before God in intercession (see also Exodus 28:9-12 and Hebrews 7:25).

39:8-14 - The breastplate is made of twelve precious stones, each stone representing a tribe of Israel. This highlights the importance of each tribe in God's eyes and the intercession of the priest (see also Exodus 28:15-21 and Revelation 21:12-14).

39:22-26 - The robe of the ephod is made with bells and pomegranates on its hem. The bells represent the need for holiness in approaching God, for the sound indicated that the high priest was alive before the divine presence (see also Leviticus 16:2-4 and Hebrews 4:14-16).

39:30-31 - The gold plate with the inscription "Holy to the Lord" is placed on the forehead of the high priest, highlighting the need for purity and consecration to minister before God (see also Exodus 28:36-38 and 1 Peter 2:9).

Verses related to Êxodo, 39:

Exodus chapter 39 narrates the making of the priestly vestments. How do these garments reflect the holiness of serving God? This detailed text describes the creation of the ephod, breastplate, mantle, robes, diadem, and other priestly accessories. The chapter emphasizes craftsmanship, precious materials used, and precision in carrying out divine instructions. Exodus 39 culminates with Moses' inspection and approval of all the work. Analyze with us five biblical passages that reveal the symbolism of these sacred garments.

Revelation 19:8: "She was given fine linen, bright and pure, to wear. The fine linen is the righteous acts of the saints." - This heavenly vision references the priestly garments described in Exodus 39, giving them spiritual significance.

Ephesians 6:14: "So stand firm, girding yourselves with the belt of truth, putting on the breastplate of righteousness" - Paul uses the image of the priestly garments from Exodus 39 to describe the "armor of God."

Hebrews 4:14: "Therefore, since we have a great high priest who has entered the heavens, Jesus, the Son of God, let us hold fast to the faith we profess." - The author of Hebrews makes reference to the high priest and his garments (Exodus 39), applying the concept to Jesus.

1 Peter 2:9: "But you are a chosen generation, a royal priesthood, a holy nation, God's own people, to proclaim the praises of him who called you out of darkness into his marvelous light." - Peter uses the priesthood language of Exodus 39 to describe the identity of believers in Christ.

Zechariah 3:4: "The angel said to those standing before him, 'Take off his dirty clothes.' And he said to Joshua, 'See, I have taken away your iniquity from you, and I will clothe you with fine garments.'" - This prophetic vision uses the image of priestly garments (Exodus 39) to symbolize spiritual purification.

FAQ:

What was done with the fabrics used to make the priestly vestments?

The fabrics were used to create the priestly garments, including the ephod and breastplate, with specific details as instructed by God. (Exodus 39:1-7)

What was the purpose of the priest's breastplate?

The breastplate was used by the high priest to bear the names of the tribes of Israel before God, symbolizing their intercession and representation. (Exodus 39:8-21)

How did the priestly garments reflect the sanctity of service in the tabernacle?

The priestly garments were made of precious materials and were intricately decorated, reflecting the sanctity and dignity of the priestly service. (Exodus 39:22-31)

What was done with the utensils of the tabernacle?

The utensils were prepared and consecrated for service in the tabernacle, following God’s instructions to ensure the sanctity of the space. (Exodus 39:32-43)

How was the tabernacle set up and consecrated?

The tabernacle was set up according to God’s instructions and consecrated with sacrifices and anointing with oil, dedicating it to God’s service. (Exodus 39:43; Exodus 40:1-16)


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