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They beat gold into thin plates, and cut these into fine strips to weave into the purple wool, violet shade and red, into the crimson wool and the fine linen, as does the weaver of fine linen. (Exodus 39, 3)
The woven band on it to hold it formed one piece with it and was of similar workmanship: this was of gold thread, purple wool, violet shade and red, crimson wool, and fine twined linen, as Yahweh had directed Moses. (Exodus 39, 5)
They fashioned the precious stones, mounted in settings of gold mesh and engraved, as a seal is engraved, with the names of the sons of Israel. (Exodus 39, 6)
They fastened the stones to the shoulder straps of the Breastpiece, stones commemorating the sons of Israel, as Yahweh had directed Moses. (Exodus 39, 7)
It was square and folded double, nine inches long and nine inches wide. (Exodus 39, 9)
In this they set four rows of stones: sard, topaz, carbuncle, for the first row; (Exodus 39, 10)
and for the fourth row, beryl, onyx, jasper. These were mounted in settings of gold mesh (Exodus 39, 13)
and bore the names of the twelve sons of Israel. They were engraved as seals are, each with the name of one of the twelve tribes. (Exodus 39, 14)
They made two gold rosettes and two gold rings, (Exodus 39, 16)
The other two ends of the cords they fastened to the two rosettes; they were thus attached to the shoulder straps of the Ephod, on the front. (Exodus 39, 18)
They secured the Breastpiece by passing a ribbon of violet-purple through its rings and those of the apron, so that the Breastpiece would sit above the woven band and not come apart from the Ephod, as Yahweh had directed Moses. (Exodus 39, 21)
The lower hem of the robe they decorated with pomegranates of purple wool, violet shade and red, crimson wool, and fine twined linen. (Exodus 39, 24)
