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And he made its grating of brass, in the manner of a net, and under it, in the midst of the altar, its base, (Exodus 38, 4)
And he drew them through the rings, which projected from the sides of the altar. But the altar itself was not solid, but hollow, made from panels and empty inside. (Exodus 38, 7)
All of the gold that was expended in the work of the Sanctuary, and that was offered in donation, was twenty-nine talents and seven hundred thirty shekels, according to the measure of the Sanctuary. (Exodus 38, 24)
from which were cast the bases at the entrance of the tabernacle of the testimony, and the altar of brass with its grating, and the vessels which pertain to its use, (Exodus 38, 30)
And so he made an ephod of gold, hyacinth, and purple, and twice-dyed scarlet, and fine twisted linen, (Exodus 39, 2)
wrought with embroidery. And he cut thin strips of gold and drew them into threads, so that they could be twisted into the weave of the first colors. (Exodus 39, 3)
He also prepared two onyx stones, set and enclosed in gold, and engraved with the skill of a jeweler, with the names of the sons of Israel. (Exodus 39, 6)
He also made a breastplate, wrought with embroidery, according to the work of the ephod, from gold, hyacinth, purple, and twice-dyed scarlet, and fine twisted linen: (Exodus 39, 8)
in the fourth was a chrysolite, an onyx, and a beryl, surrounded and enclosed in gold by their rows. (Exodus 39, 13)
They also made, in the breastplate, little chains linked to one another, from the purest gold, (Exodus 39, 15)
and two hooks, and the same number of gold rings. Moreover, they set the rings at both sides of the breastplate, (Exodus 39, 16)
and little bells from the purest gold, which they set between the pomegranates at the very bottom of the tunic all around. (Exodus 39, 23)
